By rejecting an objective truth and global cultural narratives, the band outlines intense personal moments masterfully created by means of rules and omissions, acceptance and refusal. A useful set of allegorical tools for maneuvering with a pseudo-minimalist approach in the world of rock and roll, these meticulously planned works resound and resonate with images culled from the fantastical realm of imagination. With the omnipresent lingering of ‘satan’, the music references avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system. By merging several seemingly incompatible worlds into a new universe, the band approaches a wide scale of subjects in a multi-layered way that is sometimes bizarre. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. With a subtle minimalistic approach, EYEDETIC creates recognizable elements in which mankind is confronted with the conditioning of his own perception and has to reconsider his biased position. The work is aloof and systematic while a cool and neutral imagery is used for artwork.
...Obviously, we are not serious or are we?
credits
released September 1, 2018
= Production =
Recorded in four hours during Spring break 2018 at CCNY Sound Stage in the Shepard Hall by John Marron. Additional recordings & attempts at sabotaging our music held at a secret location in Brooklyn, NY by EYEDETIC.
All Lyrics were written, performed as well as recorded with the only goal of worshipping SATAN in a dark & secluded corner.
An attempt was made to contact David Koresh & the Davidians to perform some backing vocals, however, their spirit's manager never quite returned the invocations. No virgins were sacrificed during the sessions either.
= Credits =
=> John Marron - Sound engineering extraordinaire; Mixing & Mastering 'Hall of Fame' artist.
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